all images are © the artist unless otherwise noted
Adriana Varejao
From the mid-1990s, the Adriana explored two juxtaposing motifs within her practice -flesh and tiles (or azulejos). The Jerked-beef ruin series (2000 - 2004) are likened to contemporary ruins, where the painted surfaces of floor and wall-based sculptural works are violently ruptured to expose a visceral flesh-like interior, providing a stark contrast to the cold tiled surface.
Key words: Flesh - Juxtapose - Sculpture - Contrast - Living - RIpped - Cut - Torn - Wound
Alyssa Monks
Key words: Portrait - People - Water - Condensation - Photorealism - Obscure - Surface
Andrei Varga
Andrei Varga is fine art painter based out of Dublin, Ireland. ‘Unsaved Memory’ is an abstract portrait series that deals with a genre of expressionism. The exuberant, lush style deliberately splashes outlandish qualities with a tranquil objective. Andrei is currently showcased by Saatchi.
Key words: Portrait - Memory - Distortion - Feeling - Features - Blurred - Dream - Faded - Time
Annabel Emson
"Dabs drips dobs dashes delicious dribbles define demarcate designated areas of splashy spaces drags drawn splatter wipes washes, whispery willow like lines, create a strange and moody menacing moment/s in a space/s deep yet shallow, informal confident casual sensitive with beautiful passages of liquid lagoon light, nervous flurries of brushwork pink skids turquoise twiddles white pulls composed, construct an other space." (Bruce McLean, November 2008)
Key words: Landscape - Colour - Abstraction - Space - Mark making - Movement - Tactile - Moody - Strange
Ansel Krut
Anthony Breslin
Anthony Green
© Anthony Green RA
Arthur Lugauskas
Benjamin Bjorklund
Key words: Portrait - Flesh - Colour - Death - Impression - Expression
Boo Ritson
Caroline Achaintre
Chris Dorosz
Dan Perfect
Deenesh Ghyczy
His paintings mean to frame past, future and the acutely present in one canvas. It is a view of the human figure that accounts not just for a single outer surface, but respects that perception is in equal measure directed inwards at a mind capable of transcending linear time.
Key words: Movement - Time - Portrait - Digital - Layers - Distortion - Multiple - Change - Fragments
Edie Nadelhaft
Ellsworth Kelly
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Ellsworth Kelly
Colors for a Large Wall 1951 oil on canvas, sixty-four joined panels 94 1/2 x 94 1/2 inches (240 x 240 cm) |
Ellsworth Kelly
Spectrum Colors Arranged by Chance III 1951 collage on paper 39 x 39 inches (99.1 x 99.1 cm) |
Ellsworth Kelly
Blue over Orange (Bleu sur Orange) 1964-65 lithograph on Rives BFK paper 35 3/8 x 23 5/8 inches (89.9 x 60 cm) |
Emma Bennett
Why do you set those found elements against a black void?
That’s partly just because of the way that allows you to use light: I get a pleasure from the luminosity of the original paintings and can capture that best against a dark ground. It’s also a nod to the notion of a void in abstract painting. And I think of them as night paintings. I use Lamp Black, which felt like the blackest black I could get my hands on.
That’s partly just because of the way that allows you to use light: I get a pleasure from the luminosity of the original paintings and can capture that best against a dark ground. It’s also a nod to the notion of a void in abstract painting. And I think of them as night paintings. I use Lamp Black, which felt like the blackest black I could get my hands on.
Key words: Black - Void - Still Life - Nature - Light - Space - Colour - Fire - Death - Empty - Classical painting
Emma Hack
Emma Hack’s latest collections include a focus not just on the human body, but its environment. Since 2005, she has released a series of Wallpaper works that merge the human body with the wallpaper designs of Florence Broadhurst. Broadhurst’s lush, organic wallpapers are painted on nude models by Hack, who are then seamlessly inserted into the Broadhurst original.
Key words: Body - Pattern- Home - Disguise - Disappear - Invisible - Surroundings - Environment - Women - Lost & Found
Evan Roth
Flore Nove-Josserand
It is concerned with notions of pictorial composition and the inter-relationship of one decorative surface to another. Flore Nove-Josserand draws on the concentrated vocabulary of formalist movements and that of the decorative arts: wallpaper motifs, textiles, and so forth, to create aesthetic playgrounds in which abstract forms and painterly marks can perform.
Key words: Neon - Paint - Cotton - Fabric - Pattern - Colour - Layers - Abstract - Window - Textiles - Marks
Françoise Nielly
Frank Auerbach
Gustavo Fernandes
Key words: Photorealism - People - Light - Everyday - Photograph - Family - Portrait - Holiday
Hsin-Yao Tseng
Words of wisdom, from the astoundingly skilled, 26-year-old, San Fransisco-based painter Hsin-Yao Tseng: “It’s important to squint your eyes while studying your subject and to stand back from your painting frequently. Squinting simplifies the details so you can see the big shapes and value patterns of the subject. Also, you get a sense of the lost-and-found edges. Standing back from your painting lets you evaluate the unity of the piece. Seeing the unity prevents you from overworking detailed areas or making unnecessary brushstrokes.”
Key words: Impressionist - Streets - America - Rain - Reflection - Light - Angle - Simplicity - City-Life - Water
J. Adam Mcgalliard
Jaime Gili
Jason Ratliff
Jens Hesse
Joanne Greenbaum
John Brosio
The tornado in his work represents a perfect blend of mythology and science. He find it easy to imagine it being alive and unpredictable, to view it as a god or agent thereof. One sees this mile high banshee choosing certain targets and skipping others like a jittery reaper.
Key words: Disaster - Animals - Surreal - Landscape - Scale - People - Imagination
John Tremblay
Jonathan Wateridge
Jonathan Yeo
©Jonathan Yeo
Yeo has emerged as one of the foremost pioneers of figurative painting in Britain. His career as a painter has seen him confront a multitude of different narratives and themes. Content ranges from how we consume and discuss imagery, the modern day obsession of social media, actor’s in character, the pervasiveness of pornography, cosmetic surgery and societal portraiture. The appropriate personality to use as subject is decisive and Yeo uses them as a vehicle to explore the study of physiognomy, whilst simultaneously tackling often complex narratives and ongoing themes. Mette Skougaard, Director, Museum of National History, Denmark, said Yeo is “a pivotal force in the revitalisation of figurative art in general and in the art of portraiture in particular. "
Joseba Eskubi
Karina Eibatova
Key words: Crystals - Glass - Colour - Watercolour - Texture - Form - Light
Katie Young
"I paint, I draw, I write, and I photograph the world around me. I am inspired by the beautiful, the ugly, the evanescent. I am forever striving to emulate the wonder and fragility which the subject emits. Exploring the intangible and indescribable, to try and pin down the mystery of nature and of oneself...always slightly out of reach."
Key words: Watercolour - Portrait - Mystery - Sexuality - Identity - Spirituality - Eyes - Character - Personality
Kuin Heuff
Laura Owens
Lou Ros
I'm working on a new serie of paintings "ROUGE ANGLAIS" it is the name of the color I use for all the canvas of this serie. I work on unusual crop with portraits of my entourage.
Key words: Portrait - People - Colour - Expressive - Movement - Youth - Strokes
Luc Tuymans
Magdalena Lamri
"Wrapped in a phantasmagorical cocoon, the young artist Magdalena Lamri pursues indefatigably her questionings on the image … Representation of bodies and flesh … Room of curious and curiosities of all kinds … The Art history feeds her. Since the end of her artistic studies and once her DMA obtained in ENSAAMA Olivier de Serres, the artist juggles with mediums, has fun with established codes and deceives paradoxes. She lives and works in Montreuil ( 93 )."
Key words: Portraiture - Flesh - Body - Nature - Animal - Expression - Wonder
Mark Bradford-Giant
Matthew Davis
Matti Braun
Merlin Carpenter
Miles Donovan
Minam Apang
Nicholas Hatfull
Paul McCloskey
Piet Van Den Boog
Sarah Graham
Sarit Lichtenstein
Shannon Finley
Shin-Young An
The main theme of my recent work is exploring the unfortunate reality of our present world. While reading the newspaper, articles began affecting me to the point that I realized I am a somewhat powerless artist and I wanted this to be reflected in my work. It has given me the opportunity to respond to social and environmental issues.
Key words: Media - Newspaper - Portrait - Shock - Power - Women - Social Issues - Narrative - Imagination
Stefan Kurten
Images courtesy of the artist and Hosfelt Gallery, San Francisco.
Tasha Amini
Courtesy of the artist and Kate MacGarry, London
Thomas Scheibitz
Tim Wilson
Torben Giehler
Valerie Hegarty
Yangyang Pan
