DRAWING
all images are © the artist unless otherwise noted
Adrien Lucca
Anna Barriball
Anna Barriball’s work hinges on minimal interactions with objects and often steps between the parallel languages of drawing and sculpture. Much of her practice explores and depicts the accretion of time – from the length of time it takes for a candle to burn down to the repetitious activity of taking graphite rubbings from objects that bare the traces of their use or function. In her hands a map of the world is transformed into a strange expanse of shimmering substance, or the bounce of a rubber ball on a piece of paper creates the effect of a cosmic explosion.
Key words: Marks - Texture - Drawing - Rubbing - Time - Impression - Objects - Maps - Repetition - Everyday
Charlotte Mann
Dryden Goodwin
Duygusuz Portreler
‘My drawings are psychological portraits of people who affect me with their emotion. İt can be people in the subway, sometimes a friend just laughing or making a confession. I catch his/her feeling and just one specific emotion in this person's face and make this feeling something bigger in my drawings.’
Ernesto Neto
Ernesto NETO
Embrio void in to the dark matter 2008 India ink on paper 15 x 18 3/4 inches; 38.1 x 47.6 cm (framed) 12 x 15 3/4 inches; 30.5 x 40 cm (unframed) signed, titled, and dated lower right recto Courtesy the artist and Tanya Bonakdar Gallery, New York |
Ernesto NETO
Untitled 2011 china ink on paper 30 x 44 inches; 76.2 x 111.8 cm (image size) 34 7/8 x 48 7/8 inches; 88.6 x 124.1 cm (frame size) Courtesy the artist and Tanya Bonakdar Gallery, New York |
Frank Auerbach
Gillian Lambert
Self-Deception is a series of pencil drawn self-portraits by Gillian Lambert. She states, “I have always found something beautiful in the grotesque– the repulsive, the awkward, the vulnerable, the psychologically enigmatic.”
Key words: Concealed - Self - Portrait - Mask - Contort - Disguise - Hidden - Face - Emotion
Jamies Wang
Joel Penkman
Josh Bryan
Melvin Galapon
Minam Apang
Olivia Kemp
"I draw in order to make sense of landscape but also to construct and re model it. I build worlds and imaginary places that grow out of a need to interpret the sites that I have known, expanding and developing them across a page. This encompasses everything, from the visions of a grand landscape right down to the details of the land, the plants and creatures that may inhabit it." Olivia Kemp
Robert Howsare
Shane McAdams
Tim Knowles
Tom Phillips
Tom Phillips is an artist whose work is fuelled by several persistent preoccupations, expressed through an even larger number of formats. These include painting (both figurative and abstract), opera (composer, librettist, set designer), concrete poetry and ornamental forms of writing, sculpture and site-specific designs (mosaic, tapestry, wire frame objects). He has also taken on several para-artistic roles – critic, curator, committee chairman for the Royal Academy, translator – all of which he has folded back into his art.
Zaria Forman
Greenland No. 62, 47 x 70 inches, soft pastel on paper, 2013
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Maldives No. 10, 45 x 75 inches, soft pastel on paper, 2014
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Whale Bay, Antarctica No. 4, 84 x 144 inches, soft pastel on paper, 2016 (in progress)
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Whale Bay, Antarctica No. 4, 84 x 144 inches, soft pastel on paper, 2016
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