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DRAWING

all images are © the artist unless otherwise noted

Adrien Lucca


Anna Barriball

Anna Barriball’s work hinges on minimal interactions with objects and often steps between the parallel languages of drawing and sculpture. Much of her practice explores and depicts the accretion of time – from the length of time it takes for a candle to burn down to the repetitious activity of taking graphite rubbings from objects that bare the traces of their use or function. In her hands a map of the world is transformed into a strange expanse of shimmering substance, or the bounce of a rubber ball on a piece of paper creates the effect of a cosmic explosion. 
Key words: Marks - Texture - Drawing - Rubbing - Time - Impression - Objects - Maps - Repetition - Everyday

Charlotte Mann


Dryden Goodwin


Duygusuz Portreler

‘My drawings are psychological portraits of people who affect me with their emotion. İt can be people in the subway, sometimes a friend just laughing or making a confession. I catch his/her feeling and just one specific emotion in this person's face and make this feeling something bigger in my drawings.’

​Ernesto Neto

Picture
Ernesto NETO
Embrio void in to the dark matter
2008
India ink on paper
15 x 18 3/4 inches; 38.1 x 47.6 cm (framed)
12 x 15 3/4 inches; 30.5 x 40 cm (unframed)
signed, titled, and dated lower right recto
Courtesy the artist and Tanya Bonakdar Gallery, New York 

Picture
Ernesto NETO
Untitled
2011
china ink on paper
30 x 44 inches; 76.2 x 111.8 cm (image size)
34 7/8 x 48 7/8 inches; 88.6 x 124.1 cm (frame size) Courtesy the artist and Tanya Bonakdar Gallery, New York 


Frank Auerbach


Gillian Lambert

Self-Deception is a series of pencil drawn self-portraits by Gillian Lambert. She states, “I have always found something beautiful in the grotesque– the repulsive, the awkward, the vulnerable, the psychologically enigmatic.” 
Key words: Concealed - Self - Portrait - Mask - Contort - Disguise - Hidden - Face - Emotion

Jamies Wang


Joel Penkman


Josh Bryan


Melvin Galapon


​Minam Apang


Olivia Kemp

@livvykemp
"I draw in order to make sense of landscape but also to construct and re model it. I build worlds and imaginary places that grow out of a need to interpret the sites that I have known, expanding and developing them across a page. This encompasses everything, from the visions of a grand landscape right down to the details of the land, the plants and creatures that may inhabit it."                        Olivia Kemp

​Robert Howsare


Shane McAdams


Tim Knowles


​Tom Phillips

Tom Phillips is an artist whose work is fuelled by several persistent preoccupations, expressed through an even larger number of formats. These include painting (both figurative and abstract), opera (composer, librettist, set designer), concrete poetry and ornamental forms of writing, sculpture and site-specific designs (mosaic, tapestry, wire frame objects). He has also taken on several para-artistic roles – critic, curator, committee chairman for the Royal Academy, translator – all of which he has folded back into his art.

​Zaria Forman

Picture
Greenland No. 62, 47 x 70 inches, soft pastel on paper, 2013
Picture
Maldives No. 10, 45 x 75 inches, soft pastel on paper, 2014
Picture
Whale Bay, Antarctica No. 4, 84 x 144 inches, soft pastel on paper, 2016 (in progress)
Picture
Whale Bay, Antarctica No. 4, 84 x 144 inches, soft pastel on paper, 2016
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